{"title":"CDs","description":null,"products":[{"product_id":"angine-de-poitrine-vol-ii-cd","title":"Angine De Poitrine – Vol. II (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBy now, most of us recognize the Internet to be a vast wasteland of AI slop and political ragebait. But once in a while, something peaks out from the depths to remind us that the internet is also how we find weird new music. Quebec duo Angine de Poitrine are that reminder. In early 2026, the band’s performance for KEXP went viral on YouTube – two figures dressed in all polka dots, wearing papier-mâché masks, playing hyper-complex yet freakishly fun microtonal math rock. Two months later, Angine de Poitrine dropped their second album, \u003cem\u003eVol. II\u003c\/em\u003e, proof that Internet hype isn’t just smoke and mirrors.\u003c\/p\u003e\n\u003cp\u003eThe six-track LP is a whirlwind: furious, virtuosic guitar and head-bashing percussion so locked-in that you’ll actually question if these weirdos are human at all. The schtick is solid, two childhood friends now go by Khn and Klek de Poitrine and look like they stepped out of an acid trip. The music matches the mayhem, but you don’t need to see the costumes or read their cosmic backstory to enjoy \u003cem\u003eVol. II\u003c\/em\u003e. The easiest reference point is King Gizzard \u0026amp; the Lizard Wizard’s beloved 2017 album \u003cem\u003eFlying Microtonal Banana, \u003c\/em\u003ewhich\u003cem\u003e Vol. II \u003c\/em\u003esomehow surpasses in fuzzed-out grooves. Khn plays both guitar and bass, looping short, complex and catchy riffs while Klek’s drums flip each pattern on its head. These tunes build up, shift, expand, explode and start to climb again, somehow totally unpredictable each time.\u003c\/p\u003e\n\u003cp\u003eAngine de Poitrine are likely laughing to themselves that this whole thing has truly taken off. But no matter if this is a joke or not, \u003cem\u003eVol. II\u003c\/em\u003e is a wildly good time, rock-n-roll meant to be blasted loud, here to help you get out of your head and shake loose whatever’s holding you back.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003chr\u003e\n\u003cp\u003eThe 2nd album from time-traveling duo Angine de Poitrine. With Vol. II, a dense, no-frills, high-impact record, the “Poitrine brothers” push their sound even further, with sharper dynamics, stranger structures, and a sense of humor that reveals itself only if you’re paying attention. The recipe still revolves around the same three ingredients: acid techno, disco, and rock. Available widely on vinyl for the first time. 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Vol. I makes their singular sound, somewhere between krautrock propulsion and something genuinely alien, widely available for the first time to listeners who've been hunting it down.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003chr\u003e\n\u003cp\u003eChanneling the spirit of Earth’s greatest rockstars, time-traveling duo Angine de Poitrine are endlessly fascinated by hot dogs, pyramids, and the sheer grandeur of rock music. With driving drum grooves and intricately layered microtonal guitars, Klek and Khn de Poitrine conjure hypnotic sonic and visual vortices. Their KEXP session has racked up millions of views while tours have sold out in seconds. Debut album. 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The performances here predate the wider cultural moment that *Punisher* would bring, offering a rare document of an artist still in the process of being discovered by the world, even as the room clearly already knew.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003ePHOEBE BRIDGERS is a singer-songwriter from Pasadena, CA. Beloved in equal measure for her deceptively subtle voice and her meticulous, incisive lyrics, her solo records \u003ci\u003eStranger in the Alps\u003c\/i\u003e (2017) and \u003ci\u003ePunisher\u003c\/i\u003e (2020) have been accompanied by a number of collaborations, including the supergroup boygenius, with whom Bridgers won three Grammys for 2023’s \u003ci\u003ethe record\u003c\/i\u003e. Her songs are hallmarked by a kind of intimacy that’s hard-found in contemporary music, and scale between the macro and the micro with an ease that’s matched only by her towering, prodigious way with words.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 656605170022\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Dead Oceans\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.14.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":46879620071585,"sku":"250383134","price":12.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0673\/7038\/5569\/files\/packshot-phoebe-bridgers-lost-weekend-cd-relix.jpg?v=1786662766"},{"product_id":"the-allman-brothers-band-hittin-the-note-cd","title":"The Allman Brothers Band – Hittin the Note (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded after years away from the studio, *Hittin' the Note* captured the Brothers at a moment when their Beacon Theatre residency had sharpened them into one of the tightest live units in rock. Warren Haynes and Derek Trucks were both deep in their prime, and that guitar chemistry translates fully to tape here, making it a genuine return rather than a victory lap.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eReissue. 2003 release, the first album in 9 years from the classic Rock band. Band leader Gregg Allman called it their best since Eat a Peach. 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This project finds that lineage honored on its own terms, translating the muscle of \"Whipping Post\" and the sweep of \"Jessica\" into the vocabulary of horns, swing, and collective improvisation where those ideas were always pointing anyway.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eIn honor of the 50th Anniversary of the Allman Brothers' debut album, New West Records is proud to present Big Band of Brothers: A Jazz Celebration of the Allman Brothers Band. This record is a true collection of big band jazz interpretations of Allman Brothers classics. The record features guest vocals by Marc Broussard and Ruthie Foster. Big Band of Brothers also features Jack Pearson on guitar, who has performed as a guest of the Allman Brothers Band on numerous occasions and joined the band as a member in 1997. \u003c\/p\u003e\u003cp\u003eTogether with Dickey Betts, he completed the band's archetypal guitar duo for nearly 3 years. 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It’s a black-and-white picture of three remaining founding members- Gregg Allman, Butch Trucks, and Jaimoe; (co-founder Dickey Betts was not in this lineup). In a simple, humble snapshot that respectfully accentuates the greying of this trio of aged musicians, we see 55 years of the road coming to a dignified and gracious close at the group’s home away from home, onstage at the Beacon Theatre.\u003c\/p\u003e\u003cp\u003eThe passing, in 2017, of Allman and Trucks all but guaranteed that this performance in October of 2014 was, indeed, the last one. The band, at the time, suspected it could be, announcing it would be the culminating event, and delivered one of its longest shows ever, covering the breadth of the Brothers career- from seminal blues to ethereal, jazz-infused instrumental bliss to brilliant songcraft. It also came with the plenty of the unexpected.\u003c\/p\u003e\u003cp\u003e“Little Martha” had been, for years, cast as pre-recorded walk-out music; the studio version playing as the house lights came up at the end of the night. Instead, here it is a starter, executed delicately by guitarists Warren Haynes and Derek Trucks, leading into a surprising and ferocious “Mountain Jam” that would also reprise three hours later. Too, the beginning was the end, with a “Trouble No More” finale; the Muddy Waters cover and first song the band every played, back in 1969, bookending over five decades. In between, it was an Allman Brothers Band concert like no other.\u003c\/p\u003e\u003cp\u003eThis refurbished, 10th anniversary collection has been dressed up a bit; remastered, and with the new, aforementioned booklet that includes a touching and reflective essay by the longtime ABB archivist John Lynskey. The sonics on the trio of discs are fantastically robust and immediate- to the point that the rabid, supportive remarks of some of the NYC faithful are caught clearly on mic- putting the listener in the front row of the Beacon. As for the show itself, it’s indicative of what was so impressive about this particular unit.\u003c\/p\u003e\u003cp\u003eAllman’s voice, through its chipping patina, still grabs, hold and haunts. Trucks and Jaimoe, augmented by percussionist Marc Quinones, roll down the tracks with a full belly of steam. Oteil Burbridge’s bass work is peerless. And the guitar duo of Haynes and Derek Trucks comes closest to the impossible- equaling the majestic six-string symbiosis of Betts and Duane Allman.\u003c\/p\u003e\u003cp\u003eMake no mistake, this is no requiem. For fans of The Allman Brothers Band, this is an absolutely vibrant, celebratory keeper. And, for any dedicated music fan, it is historic; a final presentation of some of the finest American music ever written and performed.\u003c\/p\u003e\u003cp\u003eNo Comments comments associated with this post\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Larson Sutton, \u003ca href=\"https:\/\/jambands.com\/reviews\/2025\/01\/25\/the-allman-brothers-band-final-concert-10-28-14-beacon-theatre-new-york-city\/\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eForty-five years after they first took the stage together, the Allman Brothers Band closed the book on one of rock's great live institutions at the Beacon Theatre, the Manhattan venue they'd called home for over two decades of spring and fall residencies. This three-disc document captures every note of that farewell night, a bittersweet send-off for a band that redefined what American guitar music could be and do.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThree CD set. The final show of their final six-night stand at the Beacon Theatre in New York City, October 2014.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Little Martha (0:52)\u003c\/div\u003e\n\u003cdiv\u003e2. Mountain Jam (4:00)\u003c\/div\u003e\n\u003cdiv\u003e3. Don't Want You No More (2:35)\u003c\/div\u003e\n\u003cdiv\u003e4. It's Not My Cross To Bear (5:04)\u003c\/div\u003e\n\u003cdiv\u003e5. One Way Out (6:26)\u003c\/div\u003e\n\u003cdiv\u003e6. Good Morning Little School Girl (10:54)\u003c\/div\u003e\n\u003cdiv\u003e7. Midnight Rider (3:35)\u003c\/div\u003e\n\u003cdiv\u003e8. The High Cost Of Low Living (8:39)\u003c\/div\u003e\n\u003cdiv\u003e9. Hot 'Lanta (5:39)\u003c\/div\u003e\n\u003cdiv\u003e10. Blue Sky (9:54)\u003c\/div\u003e\n\u003cdiv\u003e11. You Don't Love Me - Soul Serenade - You Don't Love Me (13:31)\u003c\/div\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cdiv\u003e1. Statesboro Blues (4:52)\u003c\/div\u003e\n\u003cdiv\u003e2. Ain't Wastin' Time No More (7:44)\u003c\/div\u003e\n\u003cdiv\u003e3. Black Hearted Woman (13:05)\u003c\/div\u003e\n\u003cdiv\u003e4. The Sky Is Crying (9:12)\u003c\/div\u003e\n\u003cdiv\u003e5. Dreams (11:41)\u003c\/div\u003e\n\u003cdiv\u003e6. Don't Keep Me Wonderin' (4:32)\u003c\/div\u003e\n\u003cdiv\u003e7. In Memory Of Elizabeth Reed (15:29)\u003c\/div\u003e\n\u003cdiv\u003e8. JaMaBuBu (10:27)\u003c\/div\u003e\n\u003cdiv\u003e9. In Memory Of Elizabeth Reed (Reprise) (2:29)\u003c\/div\u003e\n\u003ch4\u003eDisc 3\u003c\/h4\u003e\n\u003cdiv\u003e1. Melissa (5:40)\u003c\/div\u003e\n\u003cdiv\u003e2. Revival (4:31)\u003c\/div\u003e\n\u003cdiv\u003e3. Southbound (5:16)\u003c\/div\u003e\n\u003cdiv\u003e4. Mountain Jam (Continued) (8:52)\u003c\/div\u003e\n\u003cdiv\u003e5. Will The Circle Be Unbroken (6:15)\u003c\/div\u003e\n\u003cdiv\u003e6. Mountain Jam (Reprise) (11:12)\u003c\/div\u003e\n\u003cdiv\u003e7. Whipping Post (16:18)\u003c\/div\u003e\n\u003cdiv\u003e8. Farewell Speeches (3:33)\u003c\/div\u003e\n\u003cdiv\u003e9. Trouble No More (4:30)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 810347013485\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Peach Records Associ\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.22.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":46936311005345,"sku":"300445","price":44.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0673\/7038\/5569\/files\/packshot-allman-brothers-final-concert-10-28-14-cd-relix.png?v=1787931196"},{"product_id":"the-allman-brothers-band-stand-back-anthology-2-cd","title":"The Allman Brothers Band – Stand Back: Anthology (2-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eGregg Allman, Duane Allman, Dickey Betts, and the revolving cast of brothers who kept this band alive across five decades gave Southern rock its spine and jazz its swagger. What makes any Allman Brothers collection worth revisiting is how the studio recordings capture the architecture beneath the improvisation, the songwriting discipline that made the legendary live performances possible. Spanning every era from the Capricorn years through their long Beacon Theatre run, this 32-track set rewards deep listening.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eArguably the most influential rock act of the 1970's, The Allman Brothers Band pioneered an innovative fusion of genres that indelibly altered the direction of popular music. THE ANATHOLOGY is the first-ever Allman Brothers Band retrospective to feature material from all thirty-five years of their illustrious career. The set features 32 recordings drawn from all of the band's studios albums, each track newly digitally re-mastered for exceptional sound.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Don't Want You No More (2:26)\u003c\/div\u003e\n\u003cdiv\u003e2. It's Not My Cross To Bear (4:55)\u003c\/div\u003e\n\u003cdiv\u003e3. Trouble No More (3:46)\u003c\/div\u003e\n\u003cdiv\u003e4. Dreams (7:16)\u003c\/div\u003e\n\u003cdiv\u003e5. Whipping Post (5:19)\u003c\/div\u003e\n\u003cdiv\u003e6. Revival (4:03)\u003c\/div\u003e\n\u003cdiv\u003e7. Midnight Rider (2:58)\u003c\/div\u003e\n\u003cdiv\u003e8. Hoochie Coochie Man (4:54)\u003c\/div\u003e\n\u003cdiv\u003e9. Statesboro Blues (Live) (4:18)\u003c\/div\u003e\n\u003cdiv\u003e10. In Memory Of Elizabeth Reed (Live) (13:06)\u003c\/div\u003e\n\u003cdiv\u003e11. One Way Out (Live) (5:00)\u003c\/div\u003e\n\u003cdiv\u003e12. Ain't Wastin' Time No More (3:43)\u003c\/div\u003e\n\u003cdiv\u003e13. Melissa (3:56)\u003c\/div\u003e\n\u003cdiv\u003e14. Stand Back (3:27)\u003c\/div\u003e\n\u003cdiv\u003e15. Blu Sky (5:12)\u003c\/div\u003e\n\u003cdiv\u003e16. Little Martha (2:07)\u003c\/div\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cdiv\u003e1. Wasted Words (4:20)\u003c\/div\u003e\n\u003cdiv\u003e2. Ramblin' Man (4:48)\u003c\/div\u003e\n\u003cdiv\u003e3. Come And Go Blues (4:56)\u003c\/div\u003e\n\u003cdiv\u003e4. Southbound (5:09)\u003c\/div\u003e\n\u003cdiv\u003e5. Jessica (Single Edit) (4:12)\u003c\/div\u003e\n\u003cdiv\u003e6. Can't Lose What You Never Had (5:51)\u003c\/div\u003e\n\u003cdiv\u003e7. Win' Lose Or Draw (4:46)\u003c\/div\u003e\n\u003cdiv\u003e8. Crazy Love (3:46)\u003c\/div\u003e\n\u003cdiv\u003e9. Just Ain't Easy (6:08)\u003c\/div\u003e\n\u003cdiv\u003e10. Hell \u0026amp; High Water (3:37)\u003c\/div\u003e\n\u003cdiv\u003e11. Never Knew How Much (I Needed You) (4:29)\u003c\/div\u003e\n\u003cdiv\u003e12. Good Clean Fun (5:11)\u003c\/div\u003e\n\u003cdiv\u003e13. Seven Turns (5:08)\u003c\/div\u003e\n\u003cdiv\u003e14. End Of The Line (4:41)\u003c\/div\u003e\n\u003cdiv\u003e15. No One To Run With (5:59)\u003c\/div\u003e\n\u003cdiv\u003e16. High Cost Of Low Living (Edit) (4:49)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 731458676225\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Hip-o Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.8.04\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":46936311038113,"sku":"351005","price":16.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0673\/7038\/5569\/files\/packshot-the-allman-brothers-band-stand-back-anthology-2-cd-cd-relix.jpg?v=1787931196"},{"product_id":"the-allman-brothers-band-gold-2-cd","title":"The Allman Brothers Band – Gold (2-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eMacon, Georgia gave the world something it didn't know it needed when Duane Allman and Gregg gathered a band of brothers around them in 1969 and essentially invented Southern rock while simultaneously pointing it toward jazz and the blues. Thirty tracks spanning a decade means you get the twin-guitar interplay with Dickey Betts, the dual-drummer thunder of Butch Trucks and Jaimoe, and the full arc from raw Capricorn Records debuts through the post-Duane years when the band refused to fold.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThis retrospective captures their \"Classic\" years 1969 through 1979. Featuring highlights from the albums The Allman Brothers Band, IDLEWILD SOUTH, LIVE AT FILLMORE EAST, EAT A PEACH, BROTHERS \u0026amp; SISTERS, WIN, LOSE OR DRAW, WIPE THE WINDOWS, CHECK THE OIL, DOLLAR GAS, and ENLIGHTENED ROGUES.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. Don't Want You No More (2:25)\u003cbr\u003e\n1-2. It's Not My Cross To Bear (4:55)\u003cbr\u003e\n1-3. Blackhearted Woman (5:15)\u003cbr\u003e\n1-4. Trouble No More (3:46)\u003cbr\u003e\n1-5. Dreams (7:16)\u003cbr\u003e\n1-6. Whipping Post (5:19)\u003cbr\u003e\n1-7. Revival (4:03)\u003cbr\u003e\n1-8. Midnight Rider (2:58)\u003cbr\u003e\n1-9. Don't Keep Me Wonderin' (3:28)\u003cbr\u003e\n1-10. Hoochie Coochie Man (4:54)\u003cbr\u003e\n1-11. Statesboro Blues (Live) (4:17)\u003cbr\u003e\n1-12. Stormy Monday (Live) (8:48)\u003cbr\u003e\n1-13. Hot 'Lanta (Live) (5:19)\u003cbr\u003e\n1-14. In Memory Of Elizabeth Reed (Live) (13:05)\u003c\/p\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cp\u003e\n2-1. One Way Out (Live) (4:57)\u003cbr\u003e\n2-2. Ain't Wasting Time No More (3:37)\u003cbr\u003e\n2-3. Melissa (3:51)\u003cbr\u003e\n2-4. Stand Back (3:24)\u003cbr\u003e\n2-5. Blue Sky (5:08)\u003cbr\u003e\n2-6. Little Martha (2:07)\u003cbr\u003e\n2-7. Wasted Words (4:18)\u003cbr\u003e\n2-8. Ramblin' Man (4:47)\u003cbr\u003e\n2-9. Southbound (5:09)\u003cbr\u003e\n2-10. Jessica (7:28)\u003cbr\u003e\n2-11. Come And Go Blues (Live) (4:59)\u003cbr\u003e\n2-12. Can't Lose What You Never Had (5:50)\u003cbr\u003e\n2-13. Win, Lose Or Draw (4:44)\u003cbr\u003e\n2-14. Crazy Love (3:42)\u003cbr\u003e\n2-15. Can't Take It With You (3:33)\u003cbr\u003e\n2-16. Pegasus (7:31)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602498843796\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mercury\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.11.05\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":46936311103649,"sku":"208865","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0673\/7038\/5569\/files\/The-Allman-Brothers-Band-Gold-2-CD.png?v=1787931196"},{"product_id":"the-allman-brothers-band-brothers-sisters-remastered-cd","title":"The Allman Brothers Band – Brothers \u0026 Sisters (Remastered CD)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eGiven the fact that 1973’s Brothers and Sisters was the album that prompted The Allman Brothers Band’s acension from relentless road dogs mostly booking theatres to rock stars co-headlining one of the larger music festivals ever- Watkins Glen, and its estimated audience of 600,000- one would think any and all stories surrounding that momentous and transitional period had been told. Like Ashley Kahn and his routinely revelatory and in-depth examinations of John Coltrane and Miles Davis, author Alan Paul has become the resident expert on all things Allman Brothers Band. With that reputation preceding him and affording trusted access, Paul, indeed, finds new things to share, not only about the Brothers’ climb to rock’s peak, but what came before and after.\u003c\/p\u003e\u003cp\u003ePaul’s 300-page effort benefits from a trove of never-heard interviews with all of the principal characters- collected and conducted by ABB ‘Tour Mystic,’ Kirk West- making this journey essentially a new one, despite detailing a period of the legendary group when it was at its most visible. Paul understands better than anyone the significance of each step the Brothers took; from birth in 1969, through two tragic deaths, a leadership shift, and an album four years later that made them rock gods. Wisely, though, Paul also carries us through to the downslope; and why success isn’t an unconditional positive.\u003c\/p\u003e\u003cp\u003eThe album’s creation united a reconfigured band, following the deaths of founders Duane Allman and Berry Oakley, and introduces key replacements, Chuck Leavell, on keyboards, and Lamar Williams, on bass. It also necessitates the rise of Dickey Betts as ensemble leader, furthering a country music influence that began with Betts’ “Blue Sky,” on the preceding Eat a Peach, and produced the band’s chart pinnacle with “Ramblin’ Man.” Paul’s attention to Betts also explores the singer-guitarist’s growing affinity for Jerry Garcia, and the Brothers’ relationship with the Grateful Dead, that never saw more interaction and, perhaps, friendly competition than in ’73.\u003c\/p\u003e\u003cp\u003ePaul’s best strength is his knack for striking the balance between the front page and the back- the disintegrating partnership with the Capricorn record label; the fraying interpersonal relationships within the group- over the course of becoming the biggest band in the land. Nothing is off-limits, nor is it mined for salacious effect. It’s candid and, more often than not, coming directly from the individuals, themselves. Brothers and sisters they were. Paul’s book gives us a seat at the table.\u003c\/p\u003e\u003cp\u003eNo Comments comments associated with this post\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Larson Sutton, \u003ca href=\"https:\/\/jambands.com\/reviews\/2023\/08\/18\/brothers-and-sisters-the-allman-brothers-band-and-the-inside-story-of-the-album-that-defined-the-70s-by-alan-paul\/\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased in 1973 in the immediate aftermath of Duane Allman's and Berry Oakley's deaths, Brothers \u0026amp; Sisters marked the band's pivot toward country-inflected grooves and Dickey Betts stepping fully into the songwriting spotlight, delivering both \"Ramblin' Man\" and \"Jessica\" in a single stroke. Chuck Leavell's piano work throughout the record became a defining element of the Southern rock sound that followed.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThis Allman Brothers classic comes home to Capricorn Records sporting remastering from the original master tapes and packaging authentic to the original LP release. Tracks: \"Wasted Words,\" \"Ramblin' Man,\" \"Come And Go Blues,\" \"Jelly Jelly,\" \"Southbound,\" \"Jessica\" and \"Pony Boy.\"\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1. Wasted Words (4:19)\u003cbr\u003e\n2. Ramblin' Man (4:48)\u003cbr\u003e\n3. Come and Go Blues (4:53)\u003cbr\u003e\n4. Jelly Jelly (5:46)\u003cbr\u003e\n5. Southbound (5:08)\u003cbr\u003e\n6. Jessica (7:28)\u003cbr\u003e\n7. Pony Boy (5:51)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 731453126220\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mercury\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.14.97\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":46936311136417,"sku":"96998","price":16.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0673\/7038\/5569\/files\/The-Allman-Brothers-Band-Brothers-Sisters-Remastered-CD.png?v=1787931196"},{"product_id":"the-allman-brothers-band-beginnings-remastered-cd","title":"The Allman Brothers Band – Beginnings (Remastered CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eDuane Allman was 22 years old when the band cut these sessions in 1969, and the raw, searching quality of that youth is all over every track. Pairing the debut and *Idlewild South* on a single disc captures the full arc of where this Macon, Georgia outfit started, before *Live at Fillmore East* made them legends.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThis Allman Brothers classic comes home to Capricorn Records, sporting remastering from the original master tapes and packaging authentic to the original LP release (2 complete LPs on 1 CD). Tracks include \"Trouble No More,\" \"Dreams,\" \"Whipping Post,\" \"It's Not My Cross to Bear,\" \"Midnight Rider,\" \"Hoochie Coochie Man,\" \"Leave My Blues at Home\" and much more.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1. Don't Want You No More (2:24)\u003cbr\u003e\n2. It's Not My Cross To Bear (5:01)\u003cbr\u003e\n3. Black Hearted Woman (5:06)\u003cbr\u003e\n4. Trouble No More (3:44)\u003cbr\u003e\n5. Every Hungry Woman (4:13)\u003cbr\u003e\n6. Dreams (7:17)\u003cbr\u003e\n7. Whipping Post (5:16)\u003cbr\u003e\n8. Revival (4:03)\u003cbr\u003e\n9. Don't Keep Me Wonderin' (3:28)\u003cbr\u003e\n10. Midnight Rider (2:57)\u003cbr\u003e\n11. In Memory Of Elizabeth Reed (6:55)\u003cbr\u003e\n12. Hoochie Coochie Man (4:54)\u003cbr\u003e\n13. Please Call Home (3:59)\u003cbr\u003e\n14. Leave My Blues At Home (4:17)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 731453125926\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mercury\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.14.97\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":46936311169185,"sku":"476971","price":16.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0673\/7038\/5569\/files\/The-Allman-Brothers-Band-Beginnings-Remastered-CD.png?v=1787931196"},{"product_id":"miles-davis-complete-plugged-nickel-live-1965-8-cd","title":"Miles Davis – Complete Plugged Nickel Live 1965 (8-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eDecember 1965 found Miles Davis at a crossroads, just months removed from the modal explorations of the classic quintet era and still crystallizing what would become one of the most telepathic small groups in jazz history. The Plugged Nickel dates capture that electricity in real time, with Williams, Hancock, and Carter rewriting the rhythm section rulebook beneath Miles and Shorter on every chorus.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe most requested Miles Davis reissue arrives for his centennial in spectacular style. What began as a holiday residency at Chicago's Plugged Nickel CafÃ© became the crucible where the Second Great Quintet forged it's identity. Miles, Wayne Shorter, Herbie Hancock, Ron Carter, and Tony Williams delivered a masterclass in risk and invention, dismantling familiar tunes and rebuilding them on the fly. Producer Teo Macero captured every note across seven sets on December 22 and 23, 1965. Portions trickled out in the '70s and '80s, but only in the early '90s did Legacy reveal the full scope across seven and half hours of revelatory music-instantly hailed as one of the greatest live jazz recordings ever and earning the Penguin Jazz Guide's coveted \"Crown.\" Now, 30 years later and six decades after the shows themselves, veteran fans finally get the reissue they've demanded, and new fans get a chance to own one of the most mythologized live engagements in jazz history. This new 8CD edition mirrors the original sequence. Each CD comes in it's own newly designed mini-gatefold jacket, housed in a gold foil-embossed slipcase box. The 44-page perfect bound book includes rare Plugged Nickel photos and extensive new liner notes and track-by-track commentary by Syd Schwartz alongside Bob Blumenthal's original essay.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. If I Were A Bell (16:42)\u003c\/div\u003e\n\u003cdiv\u003e2. Stella By Starlight (13:09)\u003c\/div\u003e\n\u003cdiv\u003e3. Walkin' (11:01)\u003c\/div\u003e\n\u003cdiv\u003e4. I Fall In Love Too Easily (11:43)\u003c\/div\u003e\n\u003cdiv\u003e5. The Theme (10:19)\u003c\/div\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cdiv\u003e1. My Funny Valentine (16:33)\u003c\/div\u003e\n\u003cdiv\u003e2. Four (15:05)\u003c\/div\u003e\n\u003cdiv\u003e3. When I Fall In Love (10:44)\u003c\/div\u003e\n\u003ch4\u003eDisc 3\u003c\/h4\u003e\n\u003cdiv\u003e1. Agitation (13:03)\u003c\/div\u003e\n\u003cdiv\u003e2. 'Round Midnight (8:42)\u003c\/div\u003e\n\u003cdiv\u003e3. Milestones (14:04)\u003c\/div\u003e\n\u003cdiv\u003e4. The Theme (0:38)\u003c\/div\u003e\n\u003ch4\u003eDisc 4\u003c\/h4\u003e\n\u003cdiv\u003e1. All Of You (14:38)\u003c\/div\u003e\n\u003cdiv\u003e2. Oleo (6:05)\u003c\/div\u003e\n\u003cdiv\u003e3. I Fall In Love Too Easily (11:53)\u003c\/div\u003e\n\u003cdiv\u003e4. No Blues (17:35)\u003c\/div\u003e\n\u003cdiv\u003e5. I Thought About You (11:03)\u003c\/div\u003e\n\u003cdiv\u003e6. The Theme (8:05)\u003c\/div\u003e\n\u003ch4\u003eDisc 5\u003c\/h4\u003e\n\u003cdiv\u003e1. If I Were A Bell (13:29)\u003c\/div\u003e\n\u003cdiv\u003e2. Stella By Starlight (13:09)\u003c\/div\u003e\n\u003cdiv\u003e3. Walkin' (11:01)\u003c\/div\u003e\n\u003cdiv\u003e4. I Fall In Love Too Easily (12:07)\u003c\/div\u003e\n\u003cdiv\u003e5. The Theme (2:50)\u003c\/div\u003e\n\u003ch4\u003eDisc 6\u003c\/h4\u003e\n\u003cdiv\u003e1. All Of You (10:39)\u003c\/div\u003e\n\u003cdiv\u003e2. Agitation (10:48)\u003c\/div\u003e\n\u003cdiv\u003e3. My Funny Valentine (13:52)\u003c\/div\u003e\n\u003cdiv\u003e4. On Green Dolphin Street (12:48)\u003c\/div\u003e\n\u003cdiv\u003e5. So What (13:36)\u003c\/div\u003e\n\u003cdiv\u003e6. The Theme (3:28)\u003c\/div\u003e\n\u003ch4\u003eDisc 7\u003c\/h4\u003e\n\u003cdiv\u003e1. When I Fall In Love (13:39)\u003c\/div\u003e\n\u003cdiv\u003e2. Milestones (11:49)\u003c\/div\u003e\n\u003cdiv\u003e3. Autumn Leaves (11:56)\u003c\/div\u003e\n\u003cdiv\u003e4. I Fall In Love Too Easily (11:43)\u003c\/div\u003e\n\u003cdiv\u003e5. No Blues (20:06)\u003c\/div\u003e\n\u003cdiv\u003e6. The Theme (0:22)\u003c\/div\u003e\n\u003ch4\u003eDisc 8\u003c\/h4\u003e\n\u003cdiv\u003e1. Stella By Starlight (14:16)\u003c\/div\u003e\n\u003cdiv\u003e2. All Blues (12:18)\u003c\/div\u003e\n\u003cdiv\u003e3. Yesterdays (15:00)\u003c\/div\u003e\n\u003cdiv\u003e4. The Theme (4:51)\u003c\/div\u003e\n \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 198029412529\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sony Legacy\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.30.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":47686062899361,"sku":"35381197","price":89.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0673\/7038\/5569\/files\/packshot-miles-davis-complete-plugged-nickel-live-1965-cd-relix.jpg?v=1789739130"},{"product_id":"miles-davis-birth-of-the-blue-sacd-cd","title":"Miles Davis – Birth Of The Blue (SACD CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe four tracks collected here come from the same extraordinary sextet that made Kind of Blue, featuring John Coltrane, Bill Evans, Cannonball Adderley, Paul Chambers, and Jimmy Cobb. Recorded in 1958 at Columbia's 30th Street Studio in New York, these performances have spent decades buried in compilations, their full weight never quite given its due. That changes here.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eMiles Davis's Kind of Blue was the number-one jazz album in history. It totaled five songs. There are four more songs from that same historic group, recorded in the same time period and at the same studio. And here they are. These songs deserve to stand on their own with artwork to highlight the quality of the music and that matches the time period of the recording. This is a rare opportunity to have a smash follow-up to what many consider the greatest jazz record ever!Through the years, these four remarkable performances - all from a single recording session in 1958 and all exemplary of the sound of Miles Davis' legend-loaded sextet of that year - have not been served well. They have been largely treated as add-ons for other compilations. Now, for the first time, Analogue Productions, the audiophile in-house reissue label of Acoustic Sounds, Inc., has deservedly given these tracks a stellar stand-alone release for jazz fans to savor!The once-in-a-generation lineup that recorded these tunes is the very same that would be immortalized for the enduring classic they would record almost a year later, Kind of Blue. Davis played trumpet sublime with his ensemble sextet featuring pianist Bill Evans, drummer Jimmy Cobb, bassist Paul Chambers, and saxophonists John Coltrane and Julian 'Cannonball' Adderley.Undervalued since their recording, the tunes on this album reflect historial and musical significance. They offer early glimpses into the modal jazz that Kind of Blue would bring to the forefront. Using modes common in modern classical music, rather than the chords of popular songs, Miles had begun to experiment with the new approach on the Milestones recording sessions previously.Analogue Productions is proud to present Birth of the Blue in an exclusive first-of-it's-kind stand-alone release that reflects our reputation for meticulous production, capturing authentic sound with clarity, depth and fidelity that exceeds the audiophile standard.For this release, we started with the original 3-track recording session tapes that were mixed down to a brand-new 30 ips quarter-inch stereo master tape by senior mastering engineer Vic Anesini at Battery Studios. From that stereo master tape, Matthew Lutthans at The Mastering Lab mastered the album direct to DSD for this Hybrid Stereo SACD.Smash follow-up to what many consider the greatest jazz record ever!Four more songs from the pioneering ensemble that produced Miles Davis' Kind of Blue!Modal jazz precursor laid the groundwork for future jazz innovation!Hybrid Stereo SACDMastered by Matthew Lutthans at The Mastering Lab direct to DSD from a new 30 ips quarter-inch stereo master tape transferred from the original 3-track session tapes.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eTRACKLIST\u003c\/b\u003e\u003c\/p\u003e\u003col\u003e\n\u003cli\u003eOn Green Dolphin Street\u003c\/li\u003e\n\u003cli\u003eFran-Dance\u003c\/li\u003e\n\u003cli\u003eStella by Starlight\u003c\/li\u003e\n\u003cli\u003eLove For Sale\u003c\/li\u003e\n\u003c\/ol\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 198028166423\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Analogue Prod.\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.21.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":47686062932129,"sku":"486979","price":59.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0673\/7038\/5569\/files\/Miles-Davis-Birth-Of-The-Blue-CD.jpg?v=1789739130"},{"product_id":"miles-davis-columbia-years-1955-85-4-cd","title":"Miles Davis – Columbia Years 1955-85 (4-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThree decades of restless reinvention, distilled across four discs. Miles Davis reshaped jazz not once but repeatedly during his Columbia tenure, moving from the cool modal language of *Kind of Blue* through the electric funk of *Bitches Brew* and beyond, pulling generations of listeners into territory they didn't know existed. This collection traces that arc from bebop's shadow all the way to the synthesizer-laced 1980s, a span that encompasses some of the most consequential recordings in American music history.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Générique (2:49)\u003c\/div\u003e\n\u003cdiv\u003e2. All Blues (11:35)\u003c\/div\u003e\n\u003cdiv\u003e3. Eighty-One (6:16)\u003c\/div\u003e\n\u003cdiv\u003e4. Blues From Pablo (5:20)\u003c\/div\u003e\n\u003cdiv\u003e5. Summertime (3:20)\u003c\/div\u003e\n\u003cdiv\u003e6. Straight, No Chaser (8:58)\u003c\/div\u003e\n\u003cdiv\u003e7. Footprints (9:48)\u003c\/div\u003e\n\u003cdiv\u003e8. Florence Sur Les Champs Élysées (2:52)\u003c\/div\u003e\n\u003cdiv\u003e9. I Thought About You (11:51)\u003c\/div\u003e\n\u003cdiv\u003e10. Someday My Prince Will Come (5:42)\u003c\/div\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cdiv\u003e1. Bye Bye Black Bird (7:57)\u003c\/div\u003e\n\u003cdiv\u003e2. My Funny Valentine (14:55)\u003c\/div\u003e\n\u003cdiv\u003e3. Love For Sale (11:51)\u003c\/div\u003e\n\u003cdiv\u003e4. Budo (5:03)\u003c\/div\u003e\n\u003cdiv\u003e5. Miles (5:45)\u003c\/div\u003e\n\u003cdiv\u003e6. Filles De Kilimanjaro (12:03)\u003c\/div\u003e\n\u003cdiv\u003e7. Fran-Dance (5:50)\u003c\/div\u003e\n\u003cdiv\u003e8. Seven Steps To Heaven (6:23)\u003c\/div\u003e\n\u003ch4\u003eDisc 3\u003c\/h4\u003e\n\u003cdiv\u003e1. Flamenco Sketches (9:34)\u003c\/div\u003e\n\u003cdiv\u003e2. So What (12:02)\u003c\/div\u003e\n\u003cdiv\u003e3. Water Babies (5:08)\u003c\/div\u003e\n\u003cdiv\u003e4. Saeta (5:08)\u003c\/div\u003e\n\u003cdiv\u003e5. Masqalero (8:53)\u003c\/div\u003e\n\u003cdiv\u003e6. Pinocchio (5:10)\u003c\/div\u003e\n\u003cdiv\u003e7. Summer Night (6:04)\u003c\/div\u003e\n\u003cdiv\u003e8. Fall (6:38)\u003c\/div\u003e\n\u003cdiv\u003e9. It's About That Time (11:28)\u003c\/div\u003e\n\u003ch4\u003eDisc 4\u003c\/h4\u003e\n\u003cdiv\u003e1. Sivad (3:33)\u003c\/div\u003e\n\u003cdiv\u003e2. What It Is (4:34)\u003c\/div\u003e\n\u003cdiv\u003e3. Ms. Morrisine (4:52)\u003c\/div\u003e\n\u003cdiv\u003e4. Shout (5:51)\u003c\/div\u003e\n\u003cdiv\u003e5. Honky Tonk (5:56)\u003c\/div\u003e\n\u003cdiv\u003e6. Star On Cicely (4:28)\u003c\/div\u003e\n\u003cdiv\u003e7. Thinkin' One Thing And Doin' Another (6:48)\u003c\/div\u003e\n\u003cdiv\u003e8. Miles Runs The Voodoo Down (14:02)\u003c\/div\u003e\n \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 696998656925\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sony\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.6.02\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":47686063030433,"sku":"490993","price":52.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0673\/7038\/5569\/files\/packshot-miles-davis-columbia-years-55-85-4-cd-cd-relix.jpg?v=1789739130"},{"product_id":"miles-davis-sketches-of-spain-cd","title":"Miles Davis – Sketches Of Spain (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased in 1960, Sketches of Spain grew out of Miles Davis and Gil Evans's shared obsession with Joaquín Rodrigo's \"Concierto de Aranjuez,\" an unlikely entry point that resulted in one of the most emotionally raw recordings either man ever made. The three bonus tracks here offer a rare window into the studio process behind that alchemy, showing how Davis and Evans shaped the orchestral canvas before arriving at the definitive takes.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eOne of the greatest jazz recordings of all time, Sketches of Spain features Miles with large ensemble arranged and conducted by Gil Evans. Truly a jazz milestone, this album presents Davis and Evans at their musical peak. This title is part of Sony's Jazz Masterpiece reissue series, featuring 20-bit digital remastering, deluxe packaging and bonus material. Additional tracks: \"Song of Our Country\" and 2 alternate takes of \"Concierto de Aranjuez\"; 19 minutes of new music!\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Concierto De Aranjuez (Adagio) (16:19)\u003c\/div\u003e\n\u003cdiv\u003e2. Will O' The Wisp (3:47)\u003c\/div\u003e\n\u003cdiv\u003e3. The Pan Piper (3:52)\u003c\/div\u003e\n\u003cdiv\u003e4. Saeta (5:06)\u003c\/div\u003e\n\u003cdiv\u003e5. Solea (12:15)\u003c\/div\u003e\n\u003ch4\u003eBonus Tracks\u003c\/h4\u003e\n\u003cdiv\u003e1. Song Of Our Country (3:23)\u003c\/div\u003e\n\u003cdiv\u003e2. Concierto De Aranjuez (Part One) (12:04)\u003c\/div\u003e\n\u003cdiv\u003e3. Concierto De Aranjuez (Part Two Ending) (3:33)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 074646514221\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sony\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.23.97\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":47686063095969,"sku":"52379","price":12.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0673\/7038\/5569\/files\/packshot-miles-davis-sketches-of-spain-remastered-3-bonus-tracks-cd-cd-relix.jpg?v=1789739131"},{"product_id":"miles-davis-classic-albums-collection-4-cd","title":"Miles Davis – Classic Albums Collection (4-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe years between 1953 and 1960 represent one of the most concentrated bursts of genius in recorded music history. Davis moved from the hard bop explorations of early Blue Note and Prestige sessions through the modal revolution of \"Kind of Blue,\" reshaping what jazz could be at nearly every turn, with collaborators like John Coltrane, Bill Evans, and Cannonball Adderley alongside him for the ride.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eMiles Davis - The Classic Albums Collection - This four CD set contains Miles Davis' nine most popular albums both critically and commercially, all originally recorded between 1953 and 1960. Among the most influential and acclaimed figures in the history of jazz, and indeed in 20th-century music, Miles Davis adopted a variety of musical directions in a five-decade career that kept him at the forefront of many major stylistic developments in the genre. This four CD set contains Miles Davis' nine most popular albums both critically and commercially, all originally recorded between 1953 and 1960; for most enthusiasts the period during which the great man's star shone brightest.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Tempus Fugit (3:51)\u003c\/div\u003e\n\u003cdiv\u003e2. Enigma (3:23)\u003c\/div\u003e\n\u003cdiv\u003e3. Ray’s Idea (3:44)\u003c\/div\u003e\n\u003cdiv\u003e4. Kelo (3:18)\u003c\/div\u003e\n\u003cdiv\u003e5. I Waited For You (3:30)\u003c\/div\u003e\n\u003cdiv\u003e6. C.T.A. 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The title itself means \"power\" in Zulu and Xhosa, and the record carries that political charge alongside its sleek, layered sound. For fans who followed Miles through every reinvention, this one rewards patience.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003ch3\u003e\u003cspan style='font-family: -apple-system, BlinkMacSystemFont, \"Segoe UI\", Roboto, sans-serif;'\u003eTracklist\u003c\/span\u003e\u003c\/h3\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003cdiv\u003e1. Catembe (5:35)\u003c\/div\u003e\n\u003cdiv\u003e2. Cobra (5:15)\u003c\/div\u003e\n\u003cdiv\u003e3. Big Time (5:40)\u003c\/div\u003e\n\u003cdiv\u003e4. Hannibal (5:49)\u003c\/div\u003e\n\u003cdiv\u003e5. Jo-Jo (4:51)\u003c\/div\u003e\n\u003cdiv\u003e6. Amandla (5:20)\u003c\/div\u003e\n\u003cdiv\u003e7. Jilli (5:05)\u003c\/div\u003e\n\u003cdiv\u003e8. Mr. Pastorius (5:41)\u003c\/div\u003e\n \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 075992587327\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Warner Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.18.89\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":47686063259809,"sku":"98858","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0673\/7038\/5569\/files\/packshot-miles-davis-amandla-cd-relix.jpg?v=1789739130"},{"product_id":"miles-davis-merci-miles-live-at-vienne-2-cd","title":"Miles Davis – Merci Miles Live At Vienne (2-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe Jazz à Vienne festival appearance in July 1991 captured Miles just weeks before his death in September of that year, making this one of the final recordings of a live performance from one of the twentieth century's most restless musical minds. The band he assembled for that late period, featuring saxophonist Kenny Garrett and guitarist Foley, reflected his ongoing refusal to look backward, even as audiences worldwide were celebrating his full legacy.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eTwo CDs. By 1991, the world's most celebrated trumpeter could look back on five decades of musical evolution - his own, and that of the world around him. Miles Davis had found ways of marrying jazz with classical ideas, then later R\u0026amp;B, rock and funk, producing hybrid offspring that shaped the course of popular music and had come to define his legend. In 1985, he'd left Columbia after thirty years to sign to Warner Bros. Records, a label riding high with best-selling artists like Madonna, Van Halen and Prince, with whom he had a mutual admiration and friendship. Miles Davis's lifelong love for France is well-documented, and in July 1991, he became a Knight of their Legion of Honour. Davis received the award from French culture minister Jack Lang, who described him as: \"The Picasso of jazz.\" A few days before, he played this electrifying set at the Vienne Jazz Festival with the Miles Davis Group. He passed away two months later in September 1991. 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(6:57)\u003c\/div\u003e\n\u003cdiv\u003e8. Giant Steps (3:40)\u003c\/div\u003e\n\u003cdiv\u003e9. Naima (4:27)\u003c\/div\u003e\n\u003cdiv\u003e10. Cousin Mary (5:54)\u003c\/div\u003e\n\u003cdiv\u003e11. Countdown (4:33)\u003c\/div\u003e\n\u003cdiv\u003e12. Syeeda's Song Flute (7:02)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 075678133725\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Atlantic\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.25.90\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":47686756434081,"sku":"612840","price":11.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0673\/7038\/5569\/files\/packshot-john-coltrane-giant-steps-cd-relix.jpg?v=1789743112"},{"product_id":"john-coltrane-best-of-cd","title":"John Coltrane – Best of (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eColtrane's Atlantic years, roughly 1959 to 1961, captured a musician in transformation, bridging the hard bop vocabulary he'd honed with Miles Davis and Thelonious Monk toward the sheets-of-sound intensity that would define his later work. These recordings belong to one of the most documented pivotal periods in jazz history, and even a six-track distillation offers a window into that restless, searching intelligence at full burn.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThis product is an authorized manufactured on demand CD-R\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eMy Favorite Things\u003c\/li\u003e\n\u003cli\u003eNaima\u003c\/li\u003e\n\u003cli\u003eGiant Steps\u003c\/li\u003e\n\u003cli\u003eEquinox\u003c\/li\u003e\n\u003cli\u003eCousin Mary\u003c\/li\u003e\n\u003cli\u003eCentral Park West\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 075678136627\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Atlantic\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.2.07\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":47686756597921,"sku":"662921","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0673\/7038\/5569\/files\/John-Coltrane-Best-of-CD.jpg?v=1789743112"},{"product_id":"john-coltrane-my-favorite-things-coltrane-at-newport-cd","title":"John Coltrane – My Favorite Things: Coltrane at Newport (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eNewport gave Coltrane a stage where his most exploratory impulses could breathe in real time, in front of an audience that felt the temperature change when he locked in. These performances capture the classic quartet at a pivotal moment, with McCoy Tyner, Jimmy Garrison, and Elvin Jones pushing the music into territory that still sounds like the edge of something.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eOn the 40th anniversary of the death of the great John Coltrane, we celebrate his life, with a collection of two blazing Newport Jazz Festival performances recorded for Impulse. While both sets have previously been issued on various separate releases, they're now together for the first time with the addition of newly discovered, previously unreleased material.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eNewport '63\u003c\/h4\u003e\n\u003cdiv\u003e1. I Want To Talk About You (9:41)\u003c\/div\u003e\n\u003cdiv\u003e2. My Favorite Things (17:20)\u003c\/div\u003e\n\u003cdiv\u003e3. Impressions (23:30)\u003c\/div\u003e\n\u003ch4\u003eNewport '65\u003c\/h4\u003e\n\u003cdiv\u003e1. Introduction By Father Norman O'Connor (1:08)\u003c\/div\u003e\n\u003cdiv\u003e2. One Down, One Up (12:42)\u003c\/div\u003e\n\u003cdiv\u003e3. My Favorite Things (15:14)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602517350540\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Impulse Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.3.07\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":47686756565153,"sku":"212462","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0673\/7038\/5569\/files\/packshot-john-coltrane-my-favorite-things-coltrane-at-newport-cd-relix.jpg?v=1789743112"},{"product_id":"john-coltrane-coltrane-jazz-cd","title":"John Coltrane – Coltrane Jazz (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in late 1959 and early 1960, this Atlantic session caught Coltrane at a genuine crossroads, still working within the post-bop frameworks he'd honed with Miles Davis while pushing toward the harmonic freedom that would define his later work. The rhythm section anchors him beautifully, giving the saxophonist room to stretch without yet breaking entirely from the tradition he was quietly dismantling.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThis product is an authorized manufactured on demand CD-R\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Little Old Lady (4:25)\u003c\/div\u003e\n\u003cdiv\u003e2. Village Blues (5:21)\u003c\/div\u003e\n\u003cdiv\u003e3. My Shining Hour (4:50)\u003c\/div\u003e\n\u003cdiv\u003e4. Fifth House (4:38)\u003c\/div\u003e\n\u003cdiv\u003e5. Harmonique (4:10)\u003c\/div\u003e\n\u003cdiv\u003e6. Like Sonny (5:51)\u003c\/div\u003e\n\u003cdiv\u003e7. I'll Wait And Pray (3:32)\u003c\/div\u003e\n\u003cdiv\u003e8. Some Other Blues (5:33)\u003c\/div\u003e\n\u003cdiv\u003e9. Like Sonny (Alternate Take) (6:03)\u003c\/div\u003e\n\u003cdiv\u003e10. I'll Wait And Pray (Alternate Take) (3:25)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 075678134425\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Atlantic\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.25.90\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":47686756663457,"sku":"180120","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0673\/7038\/5569\/files\/packshot-john-coltrane-coltrane-jazz-cd-relix.jpg?v=1789743112"},{"product_id":"john-coltrane-coltrane-for-lovers-cd","title":"John Coltrane – Coltrane for Lovers (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eColtrane's ballad playing occupied a completely different emotional universe than his sheets-of-sound explorations, and compilations like this one exist because that tenderness deserves its own space. His tone on slow tempos, that wide, searching vibrato on a standard, could turn a familiar song into something that felt like it was being discovered for the first time.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eIncludes \"Dedicated to You,\" \"My One And Only Love,\" \"In a Sentimental Mood,\" \"They Say It's Wonderful,\" \"Nancy (With the Laughing Face)\" and more.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. My One And Only Love (4:57)\u003c\/div\u003e\n\u003cdiv\u003e2. Too Young To Go Steady (4:24)\u003c\/div\u003e\n\u003cdiv\u003e3. In A Sentimental Mood (4:18)\u003c\/div\u003e\n\u003cdiv\u003e4. It's Easy To Remember (2:50)\u003c\/div\u003e\n\u003cdiv\u003e5. Dedicated To You (5:32)\u003c\/div\u003e\n\u003cdiv\u003e6. You Don't Know What Love Is (5:16)\u003c\/div\u003e\n\u003cdiv\u003e7. After The Rain (4:13)\u003c\/div\u003e\n\u003cdiv\u003e8. My Little Brown Book (5:26)\u003c\/div\u003e\n\u003cdiv\u003e9. Soul Eyes (5:26)\u003c\/div\u003e\n\u003cdiv\u003e10. They Say It's Wonderful (5:22)\u003c\/div\u003e\n\u003cdiv\u003e11. Nancy (With The Laughing Face) (3:17)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 731454936125\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Polygram Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.23.01\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":47686756466849,"sku":"366072","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0673\/7038\/5569\/files\/packshot-john-coltrane-coltrane-for-lovers-cd-relix.jpg?v=1789743112"},{"product_id":"john-coltrane-blue-train-the-complete-masters-2-cd","title":"John Coltrane – Blue Train: The Complete Masters (2-CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in September 1957, *Blue Train* stands as Coltrane's sole session as a leader for Blue Note, capturing him at a pivotal moment between his groundbreaking tenure with Miles Davis and the modal innovations that would define his later work on Impulse. The title track remains one of the most recognizable blues heads in jazz history, and hearing the alternate takes reveals how deliberately Coltrane and his band, including Lee Morgan and Curtis Fuller, shaped each phrase into something definitive.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eBlue Train: The Complete Masters includes a bonus disc of alternate and incomplete takes (4 of which have never been released). The 2 CD set comes with a bound booklet featuring session photos by Francis Wolff and an essay by Coltrane expert Ashley Kahn.\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAlso Available: \u003c\/span\u003e\u003ca href=\"\/UPC\/602445481057\" title=\"John Coltrane - Blue Train (Blue Note Tone Poet Series) [Mono LP]\"\u003eMono LP\u003c\/a\u003e\u003cspan\u003e and \u003c\/span\u003e\u003ca href=\"\/UPC\/602445481071\" title=\"John Coltrane - Blue Train: The Complete Masters (Blue Note Tone Poet Series) [Stereo 2LP]\"\u003eStereo 2LP\u003c\/a\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Blue Train (10:43)\u003c\/div\u003e\n\u003cdiv\u003e2. Moment's Notice (9:10)\u003c\/div\u003e\n\u003cdiv\u003e3. Locomotion (7:14)\u003c\/div\u003e\n\u003cdiv\u003e4. I'm Old Fashioned (7:58)\u003c\/div\u003e\n\u003cdiv\u003e5. Lazy Bird (7:07)\u003c\/div\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cdiv\u003e1. Blue Train (False Start) (0:21)\u003c\/div\u003e\n\u003cdiv\u003e2. Blue Train (Alternate Take 7) (7:09)\u003c\/div\u003e\n\u003cdiv\u003e3. Moment's Notice (Alternate Take 4) (7:19)\u003c\/div\u003e\n\u003cdiv\u003e4. Lazy Bird (Alternate Take 1) (9:23)\u003c\/div\u003e\n\u003cdiv\u003e5. Blue Train (Alternate Take 8) (10:27)\u003c\/div\u003e\n\u003cdiv\u003e6. Moment's Notice (Alternate Take 5A Incomplete) (5:08)\u003c\/div\u003e\n\u003cdiv\u003e7. Lazy Bird (Alternate Take 2) (7:29)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602448062031\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Blue Note Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.16.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":47686756630689,"sku":"533465","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0673\/7038\/5569\/files\/packshot-john-coltrane-blue-train-the-complete-masters-blue-note-tone-poet-series-c-cd-relix.jpg?v=1789743112"},{"product_id":"john-coltrane-avant-garde-cd","title":"John Coltrane – Avant-Garde (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in 1960 during Coltrane's Atlantic period, these sessions find him alongside Don Cherry, Charlie Haden, and Ed Blackwell, the rhythm section Ornette Coleman had been reshaping jazz with. The collaboration captures a pivotal exchange between two revolutionary voices at the exact moment free jazz was rewriting the rules, with Coltrane pushing past hard bop toward the spiritual intensity that would define his later work.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThis product is an authorized manufactured on demand CD-R\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Cherryco (6:45)\u003c\/div\u003e\n\u003cdiv\u003e2. Focus On Sanity (12:07)\u003c\/div\u003e\n\u003cdiv\u003e3. The Blessing (7:50)\u003c\/div\u003e\n\u003cdiv\u003e4. The Invisible (4:08)\u003c\/div\u003e\n\u003cdiv\u003e5. Bemsha Swing (5:02)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 075679004123\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Atlantic\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.22.90\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":47686756794529,"sku":"178861","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0673\/7038\/5569\/files\/packshot-john-coltrane-avant-garde-cd-relix.jpg?v=1789743112"},{"product_id":"john-coltrane-evenings-at-the-village-gate-john-coltrane-with-eric-dolphy-cd","title":"John Coltrane – Evenings At The Village Gate: John Coltrane With Eric Dolphy (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe summer of 1961 found Coltrane at a genuine crossroads, pushing his classic quartet lineup into new territory with Dolphy's presence opening up conversations between saxophone, bass clarinet, and flute that had no real precedent. This is the band that drew both intense admiration and sharp criticism from the jazz press at the time, with some detractors famously calling their extended explorations \"anti-jazz.\" Hearing them uncaged at the Gate, on newly surfaced tape, reframes that whole argument.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eJohn Coltrane - \"Evenings At The Village Gate: John Coltrane With Eric Dolphy\" - In August of 1961, the John Coltrane Quintet played an engagement at the legendary Village Gate in Greenwich Village, New York. Ninety minutes of never-before-heard music from this group were recently discovered at the New York Public Library. 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His instincts proved correct. Many rightly consider the iconic singer-songwriter's third album a masterpiece - one that, per critic Robert Christgau, 'suggests a new grace and flexibility for the mass-pop mode, and invests small subjects and emotions with an almost luminous wit and awareness.' Musically, the record runs the gamut with Jamaican-leaning rhythms and orchestral flourishes at home alongside blues currents and New Orleans-soaked brass accents. Simon's instinct for conveying strong narratives with heartfelt emotion completes a trifecta of instrumentation, arrangement, and delivery.Mastered from the original analog master tapes, Mobile Fidelity's hybrid SACD elevates the 1973 effort to audiophile status. Newly revealed transparency, presence, balance, immediacy, and darkblack backgrounds showcase the scope and craft of Simon's alluring melodies - as well as vocal performances that, arguably, remain the album's standout element. Simon's singing hits peaks that equal or best those on any of his other works. Assured, natural, and supple, his baritone resonates with immersive realism and extension. As the man said, 'everything looks worse in black and white.' Rest assured: Mobile Fidelity's SACD plays with the greens of summers and those nice bright colors!Numbered Hybrid Stereo SACD\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Kodachrome\u003c\/div\u003e\n\u003cdiv\u003e2. Tenderness\u003c\/div\u003e\n\u003cdiv\u003e3. Take Me To The Mardi Gras\u003c\/div\u003e\n\u003cdiv\u003e4. Something So Right\u003c\/div\u003e\n\u003cdiv\u003e5. One Man's Ceiling Is Another Man's Floor\u003c\/div\u003e\n\u003cdiv\u003e6. American Tune\u003c\/div\u003e\n\u003cdiv\u003e7. Was A Sunny Day\u003c\/div\u003e\n\u003cdiv\u003e8. Learn How To Fall\u003c\/div\u003e\n\u003cdiv\u003e9. St. Judy's Comet\u003c\/div\u003e\n\u003cdiv\u003e10. Loves Me Like A Rock\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 821797221764\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mobile Fidelity\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.17.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":47965232660641,"sku":"456172","price":64.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0673\/7038\/5569\/files\/packshot-paul-simon-there-goes-rhymin-simon-cd-relix.jpg?v=1790801919"},{"product_id":"paul-simon-seven-psalms-cd","title":"Paul Simon – Seven Psalms (CD)","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eTurning to Seven Psalms of his own creation for comfort and clarity, the retired-from-touring Paul Simon wrestles with the big question on his unexpected new album.\u003c\/p\u003e\u003cp\u003eSeven Psalms is a 33-minute song cycle full of recurring musical themes, Easter-egg allusions to Simon’s songbook and of stream-of-consciousness lyrics that include talking cows and the almighty as a record producer.\u003c\/p\u003e\u003cp\u003eMostly acoustic, wispy and orchestral, and splattered with percussion but no drums, Seven Psalms is the kind of spare music that once would have leaned on Simon’s lyrics for strength. But such metaphors as, “Broke me like a twig in a winter gale” aren’t the stuff of “Bridge over Troubled Water” or “The Sound of Silence.”\u003c\/p\u003e\u003cp\u003eEdie Brickell joins her 81-year-old husband on the LP’s final third, bringing warm sunshine to a winter album. And it is here that Simon’s agnosticism seems to lean more toward believing than not.\u003c\/p\u003e\u003cp\u003e“Amen,” the couple sing as the book closes on Seven Psalms.\u003c\/p\u003e\u003cp\u003eNo Comments comments associated with this post\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Kristopher Weiss, \u003ca href=\"https:\/\/jambands.com\/reviews\/2023\/06\/17\/paul-simon-seven-psalms\/\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eWritten in his early seventies after a period of significant hearing loss, Seven Psalms finds Simon confronting mortality, faith, and the passage of time with the directness of someone who has earned the right to ask the big questions. It sits apart from nearly everything else in his catalog, closer in spirit to the sacred song traditions that quietly underpin so much of his work, from the gospel undertow of \"Bridge Over Troubled Water\" to the South African choral textures of Graceland.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eRecorded entirely on acoustic instruments, and predominantly performed by Paul, \u003c\/span\u003e\u003cem\u003eSeven Psalm\u003c\/em\u003e\u003cspan\u003es showcases Simon’s craft at its finest and most captivating, simply with his voice and guitar. Intended to be listened to as one continuous piece, the 33-minute, seven-movement composition transcends the concept of the “album\".\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eA stunning, intricately layered work, it’s a record which establishes an engaging and meditative, almost hymnal soundscape, with Paul’s lyrics providing the gravitational center for constellations of sound woven from guitar strings and other acoustic instrumentation – including choral elements from the highly-regarded British vocal ensemble VOCES8, and a beautiful vocal appearance by Edie Brickell.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTrue to the origin of psalms as hymns meant to be sung rather than spoken, \u003c\/span\u003e\u003cem\u003eSeven Psalms\u003c\/em\u003e\u003cspan\u003e reaches back to the very genesis of folk music: King David’s Psalms. The result is a quietly moving musical experience which uncovers a wealth of subtle details with every repeated listen. A step apart from anything Paul Simon has released before, \u003c\/span\u003e\u003cem\u003eSeven Psalms\u003c\/em\u003e\u003cspan\u003edefies categorization.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe record’s tone is complemented by its artwork, which features a close-up extract of “Two Owls” by the celebrated landscape artist Thomas Moran.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. The Lord (6:09)\u003c\/div\u003e\n\u003cdiv\u003e2. Love Is Like A Braid (3:06)\u003c\/div\u003e\n\u003cdiv\u003e3. My Professional Opinion (3:31)\u003c\/div\u003e\n\u003cdiv\u003e4. Your Forgiveness (1:55)\u003c\/div\u003e\n\u003cdiv\u003e5. Trail Of Volcanoes (5:32)\u003c\/div\u003e\n\u003cdiv\u003e6. The Sacred Harp (2:20)\u003c\/div\u003e\n\u003cdiv\u003e7. Wait (10:27)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 196587791124\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sony Legacy\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.19.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":47965232627873,"sku":"252622","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0673\/7038\/5569\/files\/packshot-paul-simon-seven-psalms-cd-relix.jpg?v=1790801919"},{"product_id":"paul-simon-graceland-cd","title":"Paul Simon – Graceland (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded in 1985 and released in 1986, Graceland found Paul Simon traveling to Johannesburg to collaborate with South African musicians including Ladysmith Black Mambazo, Stimela, and the Boyoyo Boys, weaving mbaqanga and isicathamiya into something that rewired American pop's sense of what was possible. The album arrived during the cultural boycott of apartheid-era South Africa, sparking real debate about artistic ethics alongside its widespread acclaim. This 2011 Sony Legacy edition brings the full experience back into circulation.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eOriginally released in 1986, this is a reissue of Paul Simons 5x Platinum album, GRACELAND.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eThe Boy in the Bubble\u003c\/li\u003e\n\u003cli\u003eGraceland\u003c\/li\u003e\n\u003cli\u003eI Know What I Know\u003c\/li\u003e\n\u003cli\u003eGumboots\u003c\/li\u003e\n\u003cli\u003eDiamonds on the Soles of Her Shoes\u003c\/li\u003e\n\u003cli\u003eYou Can Call Me Al\u003c\/li\u003e\n\u003cli\u003eUnder African Skies\u003c\/li\u003e\n\u003cli\u003eHomeless\u003c\/li\u003e\n\u003cli\u003eCrazy Love, Vol. II 1\u003c\/li\u003e\n\u003cli\u003eThat Was Your Mother 1\u003c\/li\u003e\n\u003cli\u003eAll Around the World or the Myth of Fingerprints 1\u003c\/li\u003e\n\u003cli\u003eHomeless [Demo Version] [Demo Version] 1\u003c\/li\u003e\n\u003cli\u003eDiamonds on the Soles of Her Shoes [Alternate Version] [Alternate Take] 1\u003c\/li\u003e\n\u003cli\u003eAll Around the World or the Myth of Fingerprints [Early Version] [Ve\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 886978425027\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sony Legacy\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.24.11\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":47965232693409,"sku":"242860","price":12.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0673\/7038\/5569\/files\/Paul-Simon-Graceland-CD.jpg?v=1790801918"},{"product_id":"john-prine-live-cd","title":"John Prine – Live (CD)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eJohn Prine built his reputation the same way most enduring things do, one room at a time, winning over listeners with a conversational directness that made complex emotions feel like something a neighbor might say over a fence. 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