{"title":"Cassette","description":"\u003cp\u003eShop cassette tapes at Consequence Merch. Discover limited runs, retro-format reissues, and new releases from artists across rock, punk, indie, and metal.\u003c\/p\u003e","products":[{"product_id":"phoebe-bridgers-lost-weekend-turquoise-tint-cassette","title":"Phoebe Bridgers – Lost Weekend (Turquoise Tint Cassette)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eLost Weekend captures Bridgers in a more stripped-back, immediate mode, the kind of recording that rewards headphones and late nights in equal measure. For a songwriter whose reputation was built on meticulous studio craft, hearing her work in a rawer format reveals just how much the songs carry on their own bones. The turquoise tint cassette is the format this music was made for.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003ePHOEBE BRIDGERS is a singer-songwriter from Pasadena, CA. Beloved in equal measure for her deceptively subtle voice and her meticulous, incisive lyrics, her solo records \u003ci\u003eStranger in the Alps\u003c\/i\u003e (2017) and \u003ci\u003ePunisher\u003c\/i\u003e (2020) have been accompanied by a number of collaborations, including the supergroup boygenius, with whom Bridgers won three Grammys for 2023’s \u003ci\u003ethe record\u003c\/i\u003e. Her songs are hallmarked by a kind of intimacy that’s hard-found in contemporary music, and scale between the macro and the micro with an ease that’s matched only by her towering, prodigious way with words.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 617308051032\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Dead Oceans\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.14.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Cassette\u003c\/p\u003e\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":46879620006049,"sku":"250471406","price":13.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0673\/7038\/5569\/files\/Phoebe-Bridgers-Lost-Weekend-Turquoise-Tint-Cassette_0acf1f86-97f3-4f72-ad60-7700e3756062.jpg?v=1786662766"},{"product_id":"sheryl-crow-pick-you-up-cassette","title":"Sheryl Crow – Pick You Up (Cassette)","description":"\u003cp\u003eEach of these songs are a commentary on being human and wanting connection. 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As with much of Chat Pile's work, Oklahoma City itself looms over the album like a character, it's sprawling isolation, economic contradictions, and underlying sense of decay embedded in the fabric of the record. The perfect allegory for the thematic essence of Who Loves The Sun is the photo embossed on the record's cover, where Devon Tower, a glassy, largely vacant monolith, looms high above the Oklahoma City skyline while a burnt-out home or storefront envelops the foreground. The album remains lyrically and sonically confrontational, but Chat Pile approached the songwriting with hooks in mind, drawing on melodic tones of pre-2000s indie rock, alt-rock, and new wave. 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The classic tunes get new life by way of a full remastering job under band leader James Mercer's watchful eye, the art is given a little extra zest via a die-cut jacket and a classy inner sleeve, and the package is rounded off with a big ol' booklet with vintage photos, handwritten lyrics, and more. The music, of course, is obviously essential. Aside from a friendly reminder that this is the album with the smash hit \"New Slang,\" as heard in the hit movie Garden State, we just need to note that the remastering job truly makes this the album James Mercer always wanted it to be. Never quite satisfied with the sonics of the original, Mercer took the 20th anniversary of the album as his opportunity to finally set the (literal!) record straight. 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Where Motown aimed for Polish and crossover appeal, Funkadelic dove headfirst into distortion, improvisation, and spiritual ambiguity, offering a sound as gritty and unpredictable as the era itself. Backed by a ferocious young band - including Eddie Hazel, Billy Bass Nelson, Tawl Ross, Tiki Fulwood, and Mickey Atkins - the album rejected convention in favor of raw groove and existential noise. Tracks like \"I Got a Thing...\" and \"What Is Soul\" pulse with menace and joy, bookended by surreal monologues that echo both street philosophy and space-age gospel. As part of Org Music's Westbound Records reissue series, this edition restores the album's full impact across multiple formats. The deluxe double LP, mastered at 45RPM directly from tape by Dave Gardner at DSG Mastering, offers the highest fidelity to date. Gardner and restoration specialist Catherine Vericolli archived and restored the original master tapes at 54 Sound Studios in Ferndale, Michigan, with assistance from in-house engineer Nick King. A single LP edition, cut from high-resolution tape transfers, is also available, alongside CD, cassette, and digital formats. A sonic revolution in it's time and a lasting influence ever since, Funkadelic remains a groundbreaking testament to music without rules and freedom without limits.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Mommy, What's A Funkadelic? 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It marked the first of three full-length collaborations with producer Prince Paul, which would become the critical and commercial peak of both parties. Critically, as well as commercially, the album was a success. It contains the singles, “Me Myself and I”, “The Magic Number,” “Buddy,” and “Eye Know”. The album title came from the Johnny Cash song “Five Feet High and Rising”. It is listed on Rolling Stone’s 200 Essential Rock Records and The Source’s 100 Best Rap Albums. When Village Voice held its annual Pazz \u0026amp; Jop Critics Poll for 1989, 3 Feet High and Rising was ranked #1. It was also listed on the Rolling Stone’s The 500 Greatest Albums of All Time. Released amid the 1989 boom in gangsta rap, which gravitated towards hardcore, confrontational, violent lyrics, De La Soul's uniquely positive style made them an oddity beginning with the first single, “Me, Myself and I”. Their positivity meant many observers labeled them a “hippie” group, based on their declaration of the “D.A.I.S.Y. Age” (Da. Inner. Soul. Yall). Sampling artists as diverse as Hall \u0026amp; Oates, Steely Dan and The Turtles, 3 Feet High and Rising is often viewed as the stylistic beginning of 1990s alternative hip hop (and especially jazz rap).\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Intro\u003c\/div\u003e\n\u003cdiv\u003e2. The Magic Number\u003c\/div\u003e\n\u003cdiv\u003e3. Change In Speak\u003c\/div\u003e\n\u003cdiv\u003e4. Cool Breeze On The Rocks\u003c\/div\u003e\n\u003cdiv\u003e5. Can U Keep A Secret\u003c\/div\u003e\n\u003cdiv\u003e6. Jenifa Taught Me (Derwin's Revenge)\u003c\/div\u003e\n\u003cdiv\u003e7. Ghetto Thang\u003c\/div\u003e\n\u003cdiv\u003e8. Transmitting Live From Mars\u003c\/div\u003e\n\u003cdiv\u003e9. Eye Know\u003c\/div\u003e\n\u003cdiv\u003e10. Take It Off\u003c\/div\u003e\n\u003cdiv\u003e11. A Little Bit Of Soap\u003c\/div\u003e\n\u003cdiv\u003e12. Tread Water\u003c\/div\u003e\n\u003cdiv\u003e13. Potholes In My Lawn\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Say No Go\u003c\/div\u003e\n\u003cdiv\u003e2. Do As De La Does\u003c\/div\u003e\n\u003cdiv\u003e3. Plug Tunin' (Last Chance To Comprehend)\u003c\/div\u003e\n\u003cdiv\u003e4. De La Orgee\u003c\/div\u003e\n\u003cdiv\u003e5. Buddy\u003c\/div\u003e\n\u003cdiv\u003e6. Description\u003c\/div\u003e\n\u003cdiv\u003e7. Me Myself And I\u003c\/div\u003e\n\u003cdiv\u003e8. This Is A Recording 4 Living In A Full Time Era (L.I.F.E.)\u003c\/div\u003e\n\u003cdiv\u003e9. I Can Do Anything (Delacratic)\u003c\/div\u003e\n\u003cdiv\u003e10. D.A.I.S.Y. 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Each time we finish a record I want the next one to sound totally different. It's fun to play with people who bring in new styles and ideas, \" says Martsch. \"And it's nice to be in a band with people who aren't sick of me yet.\" Following several albums and EPs on Pacific Northwest independent labels, including the indie-rock classic, There's Nothing Wrong With Love, released on Sub Pop offshoot Up Records in 1994, Martsch signed with Warner Brothers from 1995 to 2016. He and his rotating cast of cohorts recorded six more great albums during that time - Perfect From Now On, Keep It Like a Secret, Ancient Melodies of the Future, You In Reverse, Untethered Moon, There Is No Enemy. There was also a live album, and a solo record, Now You Know. While the band's impeccable recorded catalog is the entry point, Built to Spill live is an essential force of it's own: heavy, psychedelic, melodic, and visceral tunes blaring from amps that sound as if they're powered by Mack trucks. Now in 2022, Built to Spill returns with When the Wind Forgets Your Name, Martsch's unbelievably great new album (and his eighth full-length)... with a fresh new label. \"I'm psyched: I've wanted to be on Sub Pop since I was a teenager. And I think I'm the first fifty year-old they've ever signed.\" (The rumors are true, we love quinquagenarians...). When the Wind Forgets Your Name continues expanding the Built to Spill universe in new and exciting ways. In 2018 Martsch's good fortune and keen intuition brought him together with Brazilian lo-fi punk artist and producer Le Almeida, and his long-time collaborator, Joao Casaes, both of the psychedelic jazz rock band, Orua. Martsch fell in love with their music the moment he heard it. So when he needed a new band for shows in Brazil, he asked them, and the partnership went so well Martsch, Almeida, and Casaes continued playing together throughout 2019, touring the US and Europe and ultimately recording the bass and drum tracks for When the Wind Forgets Your Name at Doug's rehearsal space in Boise. After Martsch tracked guitars and vocals, they group collaborated from afar to mix the album. What emerged is When the Wind Forgets Your Name, a complex and cohesive blend of the artists' distinct musical ideas. Alongside Built to Spill's poetic lyrics and themes, the experimentation and attention to detail produces an album full of unique, vivid, and timeless sounds, from guitar-driven rock odes to REM and Dinosaur Jr to bluesy '60s-style anthems to dub-reggae-inspired instrumentation. It may have taken us 30 years of obvious fandom and courtship, but on September 9, 2022, Sub Pop Records is unabashedly proud to finally release an excellent new album from Built to Spill: When the Wind Forgets Your Name. 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We didn't think they fit in the world of OTM, but later realized they all fit in a little world of their own. To us, they are all kind of scuzzy and spacious, and live in the spirit realm. It's not really where we are currently going, but it's definitely somewhere we have been. We hope you enjoy these tunes, Alex and Victoria\/Beach House.\"Become featuring the songs \"American Daughter, \" \"Devil's Pool, \" \"Holiday House, \" \"Black Magic\" and the title track, and was produced by Beach House, with mixing by Alan Moulder (track 1), Trevor Spencer (tracks 2, 3, 5), and Caesar Edmunds (track 4), and mastering by Greg Calbi and Steve Fallone at Sterling Sound.Become will be available on Saturday, April 22nd, 2023 as a Record Store Day crystal-clear vinyl exclusive, with a worldwide digital release through Sub Pop and Bella Union (in the UK and Europe) on Friday, April 28th and a full worldwide physical release (LP\/CD\/CS) on May 19th, 2023.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. American Daughter\u003c\/div\u003e\n\u003cdiv\u003e2. Devil's Pool\u003c\/div\u003e\n\u003cdiv\u003e3. Holiday House\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Black Magic\u003c\/div\u003e\n\u003cdiv\u003e2. Become\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 098787154542\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sub Pop\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.19.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Cassette\u003c\/p\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":48070570573985,"sku":"206662040","price":9.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0673\/7038\/5569\/files\/front-cover-beach-house-become-ep-cassette-relix.jpg?v=1793046276"},{"product_id":"beach-house-once-twice-melody-2-cassettes","title":"Beach House – Once Twice Melody (2 Cassettes)","description":"\u003cp\u003e\u003cspan\u003eOnce Twice Melody is the 8th studio album by Beach House. It is a double \u003c\/span\u003e\u003cspan\u003ealbum, featuring 18 songs presented in 4 chapters. Across these songs, \u003c\/span\u003e\u003cspan\u003emany types of style and song structures can be heard. Songs without drums, \u003c\/span\u003e\u003cspan\u003esongs centered around acoustic guitar, mostly electronic songs with no \u003c\/span\u003e\u003cspan\u003eguitar, wandering and repetitive melodies, songs built around the string \u003c\/span\u003e\u003cspan\u003esections. In addition to new sounds, many of the drum machines, organs, \u003c\/span\u003e\u003cspan\u003ekeyboards and tones that listeners may associate with previous Beach\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHouse records remain present throughout many of the compositions.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBeach House is Victoria Legrand, lead singer and multi-instrumentalist, and \u003c\/span\u003e\u003cspan\u003eAlex Scally, guitarist and multi-instrumentalist. They write all of their songs \u003c\/span\u003e\u003cspan\u003etogether. Once Twice Melody is the first album produced entirely by the \u003c\/span\u003e\u003cspan\u003eband. The live drums are by James Barone (same as their 2018 album, 7), \u003c\/span\u003e\u003cspan\u003eand were recorded at Pachyderm studio in Minnesota and United Studio in \u003c\/span\u003e\u003cspan\u003eLos Angeles. For the first time, a live string ensemble was used. Strings were \u003c\/span\u003e\u003cspan\u003earranged by David Campbell.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe writing and recording of Once Twice Melody began in 2018 and was \u003c\/span\u003e\u003cspan\u003ecompleted in July of 2021. Most of the songs were created during this time, \u003c\/span\u003e\u003cspan\u003ethough a few date back over the previous 10 years. Most of the recording was \u003c\/span\u003e\u003cspan\u003edone at Apple Orchard Studio in Baltimore. Once Twice Melody was mixed \u003c\/span\u003e\u003cspan\u003elargely by Alan Moulder but a few tracks were also mixed by Caesar \u003c\/span\u003e\u003cspan\u003eEdmunds, Trevor Spencer, and Dave Fridmann.\u003c\/span\u003e\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Once Twice Melody\u003c\/div\u003e\n\u003cdiv\u003e2. Superstar\u003c\/div\u003e\n\u003cdiv\u003e3. Pink Funeral\u003c\/div\u003e\n\u003cdiv\u003e4. Through Me\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Runaway\u003c\/div\u003e\n\u003cdiv\u003e2. ESP\u003c\/div\u003e\n\u003cdiv\u003e3. New Romance\u003c\/div\u003e\n\u003cdiv\u003e4. Over And Over\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Sunset\u003c\/div\u003e\n\u003cdiv\u003e2. Only You Know\u003c\/div\u003e\n\u003cdiv\u003e3. Another Go Around\u003c\/div\u003e\n\u003cdiv\u003e4. Masquerade\u003c\/div\u003e\n\u003cdiv\u003e5. Illusion Of Forever\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Finale\u003c\/div\u003e\n\u003cdiv\u003e2. The Bells\u003c\/div\u003e\n\u003cdiv\u003e3. Hurts To Love\u003c\/div\u003e\n\u003cdiv\u003e4. Many Nights\u003c\/div\u003e\n\u003cdiv\u003e5. Modern Love Stories\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 098787147049\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sub Pop\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.18.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Cassette\u003c\/p\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":48070570606753,"sku":"205874520","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0673\/7038\/5569\/files\/9069292945563-1-BeachHouse_OnceTwiceMelody_1_490f1520-9ad6-48b2-9939-863904c8d4eb.jpg?v=1791928006"},{"product_id":"beach-house-7-cassette","title":"Beach House – 7 (Cassette)","description":"\u003cp\u003e7 is our 7th full-length record. At its release, we will have been a band for over 13 years. We have now written and released a total of 77 songs together.\u003c\/p\u003e\u003cp\u003eLast year, we released an album of b-sides and rarities. It felt like a good step for us. It helped us clean the creative closet, put the past to bed, and start anew.\u003c\/p\u003e\u003cp\u003eThroughout the process of recording 7, our goal was rebirth and rejuvenation. We wanted to rethink old methods and shed some self-imposed limitations. In the past, we often limited our writing to parts that we could perform live. On 7, we decided to follow whatever came naturally. As a result, there are some songs with no guitar, and some without keyboard. There are songs with layers and production that we could never recreate live, and that is exciting to us. Basically, we let our creative moods, instead of instrumentation, dictate the album's feel.\u003c\/p\u003e\u003cp\u003eIn the past, the economics of recording have dictated that we write for a year, go to the studio, and record the entire record as quickly as possible. We have always hated this because by the time the recording happens, a certain excitement about older songs has often been lost. This time, we built a \"home\" studio, and began all of the songs there.  Whenever we had a group of 3-4 songs that we were excited about, we would go to a \"proper\" recording studio and finish recording them there. This way, the amount of time between the original idea and the finished song was pretty short (of the album's 11 songs, 8 were finished at Carriage House in Stamford, CT and 2 at Palmetto Studio in Los Angeles).\u003c\/p\u003e\u003cp\u003e7 didn't have a producer in the traditional sense. We much preferred this, as it felt like the ideas drove the creativity, not any one person's process. James Barone, who became our live drummer in 2016, played on the entire record. His tastes and the trust we have in him really helped us keep rhythm at the center of a lot of these songs. We also worked with Sonic Boom (Peter Kember). Peter became a great force on this record, in the shedding of conventions and in helping to keep the songs alive, fresh and protected from the destructive forces of recording studio over-production\/over-perfection.\u003c\/p\u003e\u003cp\u003eThe societal insanity of 2016-17 was also deeply influential, as it must be for most artists these days. Looking back, there is quite a bit of chaos happening in these songs, and a pervasive dark field that we had little control over. The discussions surrounding women's issues were a constant source of inspiration and questioning. The energy, lyrics and moods of much of this record grew from ruminations on the roles, pressures and conditions that our society places on women, past and present. The twisted double edge of glamour, with its perils and perfect moments, was an endless source (see \"L'Inconnue,\" \"Drunk in LA,\" \"Woo,\" \"Girl Of The Year,\" \"Last Ride\").\u003c\/p\u003e\u003cp\u003eIn a more general sense, we are interested by the human mind's (and nature's) tendency to create forces equal and opposite to those present. Thematically, this record often deals with the beauty that arises in dealing with darkness; the empathy and love that grows from collective trauma; the place one reaches when they accept rather than deny (see \"Dark Spring,\" \"Pay No Mind,\" \"Lemon Glow,\" \"Dive,\" \"Black Car,\" \"Lose Your Smile\").\u003c\/p\u003e\u003cp\u003eThe title, 7, itself is simply a number that represents our seventh record. We hoped its simplicity would encourage people to look inside. 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In the UK, EVOL was the third studio album by Sonic Youth and showed the first signs of the band transforming their No Wave past into a greater alt-rock sensibility. \"EVOL... mark[s] the true departure point of Sonic Youth's musical evolution,\" noted Pitchfork, \"In measured increments, Thurston Moore and Lee Ranaldo... bring form to the formless, tune to the tuneless, and with the help of Steve Shelley's drums... , [impose] melody and composition on their trademark dissonance.\" \"If Daydream Nation is Sonic Youth's opus, EVOL was crucial research. There's a directness that makes everything feel close. It is pure tension with little release. The entire record is a shadow.\" Stereogum likewise praised the album as one, \"full of suspense... , the cornerstone [of] the Sonic Youth sound... , ground zero for the combination of chiming guitars and atonal skronk... muggy delirium... The virile 'Tom Violence' sounds less written than coaxed from a cauldron, the sort of song that fogs windows. The off-kilter 'Starpower'... is sung in a frosty [Nico-evoking] monotone [by Kim Gordon]. 'In The Kingdom #19,' featuring Mike Watt on bass and... vocals [by Ranaldo]... , is a harrowing story of a highway wreck over a suitably edgy instrumental backing punctuated by... live firecrackers in the vocal booth.\" For Popstache, \"EVOL slithers into the unconscious. Once the... detuned melodies and haunting riffs and final whispers of feedback depart from the speakers... The music [leaves] a faded footprint, forever reeling the listener back for another strange trip.\" \"The seeds of greatness... \" - Pitchfork (who placed the album #31 of the Top 100 Albums of The 1980s) \"A near-masterpiece.\" - Trouser Press \"A stunningly fluent mixture of avant-garde instrumentation and subversions of rock'n'roll.\" - All Music Guide\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Tom Violence\u003c\/div\u003e\n\u003cdiv\u003e2. Shadow Of A Doubt\u003c\/div\u003e\n\u003cdiv\u003e3. Star Power\u003c\/div\u003e\n\u003cdiv\u003e4. In The Kingdom # 19\u003c\/div\u003e\n\u003cdiv\u003e5. Green Light\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Death To Our Friends\u003c\/div\u003e\n\u003cdiv\u003e2. Secret Girl\u003c\/div\u003e\n\u003cdiv\u003e3. Marilyn Moore\u003c\/div\u003e\n\u003cdiv\u003e4. Expressway To Yr Skull\u003c\/div\u003e\n\u003cdiv\u003e5. Bubblegum\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 787996801940\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Goofin Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.6.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Cassette\u003c\/p\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":48070571229345,"sku":"207226784","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0673\/7038\/5569\/files\/label-disc-sonic-youth-evol-cassette-relix.jpg?v=1791928008"},{"product_id":"willie-nelson-live-from-austin-tx-cassette","title":"Willie Nelson – Live From Austin, TX (Cassette)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eWillie Nelson's relationship with Austin City Limits runs deeper than any single performance. 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